Don Vappie
AWARD WINNING CREOLE BANJOIST GUITARIST VOCALIST
Don Vappie is a Creole banjo player/singer from New Orleans. Awarded multiple times, he is recognised throughout the world as THE contemporary representative of a long line of illustrious musicians, such as Danny Barker and Johnny St Cyr.
By honouring the traditions of his elders, Don in turn takes up the torch of the rich Creole musical history. He is an emblematic artist of his city.. of his culture
SUNDAY TIMES JAZZ ALBUM OF THE YEAR 2020 for Blue Book of Storyville
OFFBEAT MAGAZINE BEST OF THE BEAT NOMINATION 2020 for Blue Book of Storyville
STEVE MARTIN BANJO PRIZE 2021
BANJO HALL OF FAME 2022
He can start the party with his banjo, he sure can – IGGY POP
DON VAPPIE
To say that Don Vappie has had a busy musical career would be an understatement. He has several overlapping careers as a banjoist, guitarist, bassist, singer, arranger-composer, educator, lecturer, record and event producer, and expert not only about New Orleans jazz but its place and importance in the contemporary music scene.
Born and raised in New Orleans, he was surrounded by music growing up. Many of his relatives played music and his great uncle was Papa John Joseph who had played bass during the era of Buddy Bolden. A cousin gave Don piano lessons but he had a greater interest in playing bass. He played electric bass with a funk group from the age of 13, taught himself guitar when a member of the band left, and worked in Bourbon Street clubs as a teenager. After a few years he began playing bass with jazz trios including with such notables as Placide Adams, Teddy Riley, Wallace Davenport, Bob French and Danny Barker, and he taught himself banjo.
While Don studied music theory and classical bass at Loyola University and Xavier University, his main musical education took place on the bandstand.
He made his recording debut as a leader in 1986, started his own Vappielle label, began yearly visits to Europe around that time, and in 1990 recorded Crescent City Serenade with clarinetist Dr. Michael White. After meeting and impressing Wynton Marsalis, Don began working regularly with the Jazz At Lincoln Center Orchestra as a guitarist, banjoist and vocalist in 1994, an association that has continued for 25 years.
While best known for his work in vintage New Orleans jazz, Don Vappie has a versatile style on his instruments and has performed and recorded along the way with such notables as Peggy Lee, the Preservation Hall Jazz Band, Otis Taylor, Bette Midler, Ruby Braff, Howard Alden, Terence Blanchard, Wycliffe Gordon, Marcus Roberts, Ellis Marsalis, Doc Cheatham, Benny Waters, Bob Wilbur, Dick Hyman, Jon Faddis, Diana Krall, Eric Clapton, Dee Dee Bridgewater, Daryl Sherman and the New Orleans Orchestra among many others.
He has also led eight albums of his own including with his Creole Jazz Serenaders, a group that emphasizes superior obscurities from the 1920s.
Don Vappie has also been involved in many special projects. He starred in and co-produced the PBS documentary American Creole: New Orleans Reunion, writing the music for that special and for Zora Neal Hurston – Jump At The Sun, Mandeville: The Good Life, The Homefront, NCIS New Orleans and Treme. Don’s transcriptions of many early jazz recordings are available from Warner Bros Publishing.
He has done extensive research on the Creole music of New Orleans and the Caribbean, and as a speaker has lectured about everything from the influences of early jazz to the history of the banjo. In addition, he is a popular and prolific educator. Don is the jazz guitar instructor at Loyola University, an instructor at the Don “Moose” Jamison Heritage School of Music, works with many public schools, teaches privately (guitar, banjo, bass and mandolin), conducts master classes, clinics, workshops and seminars, and has presented many programs on New Orleans music for such organisations as Jazz At Lincoln Center, Carnegie Hall, Tulane University, NPR, and the Smithsonian. In the future, he plans to offer online lessons.
Don Vappie is constantly creating music and spreading the gospel of New Orleans jazz. “Traditional New Orleans jazz is the foundation for all of the music that is around today. Although I’m best known for playing the older music, I still play modern jazz too. The music all connects together. When I came up, the older guys in New Orleans played everything. They would say that they play music. That is what I do too.”.
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Classic Jazz
The Blue Book of Storyville by Don Vappie & Jazz Creole
Price range: £6.99 through £12.00
Check out Don Vappie on Soundcloud
A vibrant, unpredictable—and funky—set
THE SUNDAY TIMES, UK
Daylight Savin’ is a contender for album of the year
THE JAZZ RAG, UK
A beautiful production, thoroughly recommended—just order and enjoy!
VINTAGE JAZZ MART, UK
We’re lucky in 2020 to have new jazz of this calibre to celebrate
SYNCOPATED TIMES, US
Those who love early hot jazz will certainly enjoy The Dime Notes’ reworking of these classics
LA JAZZ SCENE, US
David Horniblow’s clarinet spits fire
THE SUNDAY TIMES, UK
Convincingly performed vintage hot jazz, with a present-day freshness and commitment
JAZZ JOURNAL, UK
A terrific clarinettist! From one player to another
ACKER BILK
Andrew Oliver is almost punk-rock in his attitude about traditional jazz and bringing back its visceral nature
KMHD JAZZ RADIO, USA
Dave Kelbie, the rhythmic rumbling of a folksy freight train
ALL ABOUT JAZZ, USA
Andrew Oliver is the quintessential musician’s musician
EVAN CHRISTOPHER
Horniblow’s playing is nimble, incisive and assured
JAZZ JOURNAL
Dave Kelbie’s rhythm guitar is undoubtedly one of the best in the world
CLASSICA, FRANCE
































