The New Old Fashioned

£6.99£12.00

The New Old Fashioned

£6.99£12.00

2011
Rebellious, hip, high-energy, hard-driving, untamed, unpredictable and unapologetically joyous jazz by The Bridgetown Sextet.

SCOTT KENNEDY – Piano
ANDREW OLIVER – Cornet & piano
DAVID EVANS – Clarinet and Tenor Sax
JOHN MOAK – Trombone
DOUG SAMMONS – Guitar and Vocals
ERIC GRUBER – Bass

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Description

TRACKLIST & AUDIO

 

 
 

PRESS

[R]etro-gazing is always a dicey proposition, running the risk of being precious, irrelevant, or, usually, both. But the Bridgetown Sextet pulls off their time-travel whimsy by emphasizing musical chops rather than mutton chops. Their tunes are the work of fantastic players, boasting excellent stride piano from both Scott Kennedy and Andrew Oliver (who also each do double duty on drums), strict tempo from guitarist Doug Sammons and bassist Eric Gruber, and just the right shade of sassafras from John Moak on trombone and David Evans on clarinet and sax. Their new album, The New Old Fashioned, ably captures this combustible energy. THE PORTLAND MERCURY
[The Bridgetown Sextet] swan dives into the authentic sound of the 1920s, ’30s, and ’40s with a mix of New Orleans jazz, Prohibition-era Chicago, Harlem Stride piano and big-city swing. Led by young Portland jazz lions Andrew Oliver and Scott Kennedy, this band will curl your toes. THE OREGONIAN
Scott Kennedy and Andrew Oliver are almost punk-rock in their attitude about Traditional Jazz and bringing back it’s visceral nature. Matt Fleeger, Director, KMHD JAZZ RADIO

 
 

REVIEWS

INFO ON ANDREW

Additional information

Technical

75 years ago jazz was a rebellious, hip, high-energy, hard-driving, untamed, unpredictable and unapologetically joyous cult phenomenon, and on the new Bridgetown Sextet album, it still is. The jazz of the 1920s and 30s was the sound of excitement itself in the hands of its original masters, and while that essence still survives in the earliest recordings for the few who know them, the music has too often been recreated as a bloodless caricature of its former self. Andrew Oliver and Scott Kennedy organized the Bridgetown Sextet in an effort to express early hot jazz and swing with the intensity and authenticity it deserves. The band plays the music of the prohibition and depression eras as though it were written yesterday, not to preserve it, but to rediscover it. This album represents the new school of old jazz.

The Sextet has been performing in the Portland area since 2008 and has since gained a loyal following among roots music enthusiasts and Portland's thriving swing dance community. This album was recorded at SE Portland's Map Room Studio with a pair of microphones, capturing the sound of the band in its natural state on a variety of forgotten gems from the swing era and before. The band features self-taught pianist/drummer Scott Kennedy with his amazing command of the demanding stride piano tradition. Andrew Oliver, a figure on the Portland jazz scene in many varied groups, performs on piano, cornet, and drums. Long time New Orleanian David Evans provides his trademark lyrical clarinet and tenor sax stylings. John Moak dazzles as always with his command of the trombone, and Doug Sammons on rhythm guitar and vocals and Eric Gruber on bass anchor the band with a rock-solid pulse.

Tracks 1, 12, 14 recorded May 1, 2010 at the Map Room Studio, Portland, OR by Jason Powers
Tracks 2-7, 9, 10, 13, 15 recorded June 26, 2011 at the Map Room Studio, Portland, OR by Josh Powell
Tracks 8, 11 recorded November 1, 2011 at Fandrich Piano Studio, Seattle, WA by Andrew Oliver

Scott Kennedy: Piano (1, 2, 4, 5, 6, 8, 10, 13, 14), Drums (2, 7, 9, 12, 15)
Andrew Oliver: Cornet (2, 3, 4, 9, 10, 12), Drums (1, 5, 6, 13, 14), Piano (2, 7, 11, 15)
David Evans: Clarinet and Tenor Sax
John Moak: Trombone
Doug Sammons: Guitar and Vocals
Eric Gruber: Bass
with special guest Dee Settlemier, Vocals (4)

Mixed and Mastered by Andrew Oliver
Liner notes by Scott Kennedy
Design by tinylittlehammers.com
Band Photos by Mitch Ward

Produced by Andrew Oliver, Scott Kennedy, and Colin Williams

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